Showing posts with label Library. Show all posts
Showing posts with label Library. Show all posts

3.2.10

Mystery House and a Wonderful Photo


I found these renderings of an elegant French style manoir in a 1911 issue of Architectural Record.  The caption reads 'Cottage at Bar Harbor, John Russell Pope, Architect'. There is no evidence that this house was ever  built, and I'm curious to know more.  
My best guess is that it was designed by Pope for his frequent Washington clients the Edward B. McLeans, she the Hope Diamond wearing mining heiress Evalyn Walsh.  They had bought Briarcliffe, a large old fashioned shingle style cottage at Bar Harbor in 1910, and the following year, the New York Times reported that they were remodeling.  Perhaps they had first contemplated tearing down Briarcliffe and changed their minds? 
Briarcliffe , ocean front as it appeared before the McLean enlargements
Ocean front after McLean enlargements
In the end, they instead added to the old Briarcliffe, including a bowling alley wing, a ballroom with murals of the Bay of Naples, a third floor nursery suite above, and a wing for Mrs. McLean's mother, Mrs. Thomas Walsh.  The resulting hodgepodge of turreted and shingled wings was held together by a new classical courtyard.  

Here is the courtyard, after the residence was abandoned by the McLeans, with dancers posing amongst the statuary.  The photograph comes from a 1948 issue of Life magazine, featuring dancers among the ruined estates left by the Bar Harbor fire of 1947.
 As an aside, Briarcliffe was originally designed by William Ralph Emerson for J. Montgomery Sears, owner of America's Cup challenger Puritan. Between the Sears occupancy and the McLean purchase, the cottage was leased by the John D. Rockefellers, Jr., and was the birthplace of their son Nelson.  And with that, I've wandered far from the original question of the identity of the mystery house.

Surviving Recreation-Bowling Alley wing
The surviving portion of Briarcliffe's servant's wing
The garden house

(Please note the poor quality of the second scan from Architectural Record via Google Books.  This poor quality is something we can expect more of as libraries continue to purge books, and the people who scan can't even be bothered to de-screen when they scan halftones.  Are you with me, Blue?  I think that a lot of important visual information will be lost.  We are soooo screwed.)

11.12.09

Palladian Perfection, New England Style, Part 1: The Redwood Library

1768 Drawing of the Redwood Library by Pierre Simitiere from a notebook in Collection of Philadelphia Library. Image from Historic American Buildings Survey Catalog 


One of my favorite buildings, The Redwood Library in Newport, Rhode Island.   Founded 1747, it is the oldest lending library in the United States.  An elegant small pavilion with wings flanking a Doric portico, the exterior surface is wood, scored to look like ashlar blocks, with sand mixed in the paint to further carry out the illusion of stone.  It is a perfect synthesis of sophisticated aspirations wedded to the realities of available materials and craftsmanship in colonial America. The original portion of the Redwood Library was designed by Peter Harrison, an English amateur architect, in 1750, based on a plate from Edward Hoppus' Andrea Palladio's Architecture, published in 1736. 


Early Photograph of Redwood Library,  Image from Historic American Buildings Survey

A Villa With Superimposed Portico, from Book IV  of the Hoppus edition of Palladio's I Quattro Libri Dell'Architecttura,
  
Elevation of the Redwood Library from Historic American Buildings Survey, Library of Congress

Early Bookplate of the Redwood Library, image from Historic American Buildings Survey, Library of Congress 

  • To see a version of Palladio's design executed in brick & stone, compare the Redwood Library to The Temple in the park at Holkham Hall in England.   For a photograph of the temple, click here
  • For more about the Redwood Library, and their fascinating collections, please visit their website

10.12.09

A Little About the Past and How I Happen to Find Myself Starting This Blog

Preamble:  This is not going to be an autobiographical  'this is where I ate today' sort of blog----I have other fish to fry---but by way of introduction, a little background seems in order.  Although the following makes me sound ancient and cocooned (he said defensively), I'm in fact only in my fifties (again defensively), and tend to mostly live in the moment.  That said........

I grew up in a classic Maine village, of a type that now exists mostly in postcard memory---you know the sort---romantic, remote, with white steeples, rocky harbor, elm trees shading the Federal & Greek Revival houses lining the streets.  My childhood was soon enough after the great depression and WWII that we were still in something of a time warp, with unpaved side streets, old wooden bridges crossing a former mill stream, abandoned farms with the obligatory lilacs growing next to cellar holes.  The village was insular, with elderly widows and spinster daughters, last vestiges of a Sarah Orne Jewett world, many of them my relatives, inhabiting the old houses.  They worshiped at either the Congregational or the Baptist Churches, sewed for good causes, baked pies, did their wash on Mondays, hanging it outside to dry.  In that pre-feminist world, one heard talk of woman's work and woman's place, but in reality, anything the men could do, the women did too---farming, hunting, repairing the shed, drive the truck, repair the truck.  Oh, and there was gossip to fill long winters.  Much of it revolved around how everyone was related, with people who had died before the civil war still discussed as if they'd just left the room.  At the local schools, some teachers were still graduates of the vanished State Normal Schools, and taught classical curriculum.  The king of school sports was basketball (6'1" by 15, I had no talent for the game, to the dismay of my shorter, more jock-ish schoolmates).  The men worked hard at hard jobs, mostly seasonal---caretaking for summer residents, carpentry, fishing, subsistence farming.  My great great grandfather was lost off the Grand Banks in the early 1880's, a few weeks before my great grandmother, his daughter was born.  All her life she cherished a little crudely carved shelf that he made on the boat, as do I now.  Manners were uniformly genteel and old fashioned, faces and bodies weather worn.  Lest this sound too Ethan Frome by-the-sea, there is far more to the story, and the mix and the extremes made our village a fascinating place to grow up.

Main Street, 1870's

Culture was important.--the village library was first founded in 1796.  During the Depression, a kind and forceful woman in the village saw to it that our share of WPA money made it to town, and a handsome new building, ever since the center of the community, was built. Today the library rates as one of the to libraries in its class in the country, presided over by a succession of talented directors.  A small and varied summer colony had sprung up beginning in the 1880s, bringing with it music, art, wealth, and a glimpse of a bigger world.  In the same town where one could see smoke curling from the chimney of an unpainted farmhouse in Winter, one could also in summer spy world famous musicians rehearsing, a famous writer or five, the chairman of Standard Oil, heirs to a few Name Brand fortunes, and relatively indigent, dignified college professors.  Sleek sailboats mingled with the lobster boats in the harbor, and large shingled cottages along the shore complemented the tidy architecture of the village.

The Library, 1950's

Against this background, my interests were formed---a love of architecture from the handsome examples all around me; a fascination with interiors born at my great-grandmother's house, where time had stopped before WWI, its seldom used parlor all curios and faded wallpaper and it's kitchen with iron cook stove and sink with hand pump, so much more fun than the modern plumbing at home.  A love of nature and landscape was inherited from my mother, her own intense love of the natural world forged in her childhood exploring the woods and shore around her home.  Finally, a sense of history and heritage from my father,  his history professor brother, and their delightful parents, and of course, from living in a community where the past was always palpable.  A career selling books, and then beautiful things to people who like the same, has led to interesting and enduring friendships and exposure in the design world.

A typical house in the village, built 1830, photograph 1880's

While much looks the same on the surface, the 21st century has caught up.  We're discovered.  Lattes abound, Radicchio salad, in a fashionable restaurant is as easily, perhaps more easily, found as a baked bean supper.  People from away have settled in droves, prosperity, television, and the internet have brought us in line with the 21st century.  The side streets are paved, good thing given the crushing traffic of summer tourists.  The thrill of crossing a wooden bridge and seeing through the cracks to the rushing stream below is just memory.

My parents were (are) curious and interested about many things, and there were many road trips in my childhood to see anything and everything---rare plants growing in bogs, abandoned Federal houses on remote peninsulas, country auctions, art museums, ancient villages, egret's nests, a stretch of wild coast.  It was a visual feast, and remains so, and I hope this blog passes along some of that discovery and delight to an interested reader or two.

If you've read this far, please stay tuned.  After today, there will be few words about me, and more about things interesting and beautiful, with a New England bias showing----and pictures, lots of pictures.